Landscape is a connector of the soul with Being.
– Belden C. Lane
Our perceptions are colored by preconception and desire… landscapes in which history unfolds are both real, that is, profound in their physical effects on mankind, and not real, but mere projections, artifacts of human perception.
LANDSCAPES ARE imaginal and they are visionary.[i] They are both timeless and they are time-bound, hence particular spiritual imaginal-visionary landscapes predominate in particular historical epochs.
GEOGRAPHERS HAVE FOR A LONG TIME understood the idea that our landscapes spring forth from personal and collective imagination.
However it is the postmodern geographers who place most importance on the role of the imagination in creating landscape. In part this is due to their understanding and receptivity to depth, analytical and archetypal psychology, where there has been a revival of interest in the image, the imagination and the imaginal. It is an old way of finding meaning and it is a theory of knowledge which has had a relatively recent revival in the twentieth century.
Seminal in the revival of this epistemology, or imaginal theory of knowledge and meaning in recent times are such thinkers as Jung and his theory of the collective unconscious; Bachelard, Professor of Philosophy of Science at the Sorbonne, who raised poetic imagination to a level equal in importance to scientific knowledge; Claude Levi-Strauss (1908-2009) anthropologist and ethnologist, regarded as the “father of modern anthropology”, who spoke of cultures which did not neglect the feminine guide of the imagination, the creative Sophia; Henry Corbin, with his translations of the ancient Persian pre-Islamic Mystics and the Mazdean, Shi’ite and Sufi mystics (thirteen centuries in which the imaginal has been the focal point); as well as the romantics, the surrealists and most recently postmodernists.
Gilbert Durand concludes that imagination gives “the possibility of experiencing the noumenal… the imaginal is the New World that allows the revival of this gnosis”.[ii]
It is however in the consideration of sacred landscapes and sacred places that the role of the imagination becomes most apparent.