CORBIN DESCRIBES SOPHIA, the divine presence of wisdom for our world in an intermediate imaginal world – the Celestial Earth, as follows:
“Between the intellectual and the sensible… [is] a ‘spiritual corporeity’ which represents the Dwelling, the Divine Presence, for our world. This Dwelling is Wisdom itself, Sophia.”[i]
Sophia is “the imaginal place of the Divine Presence in our world”. Sophia as the Celestial Earth is typified in the Shi’ite gnosis by Fatima, “the Sophia of the Shi’ite theosophy and cosmology”.[ii] Thus Sophianity is for the human being to accede here and now to the Celestial Earth, to the world of Hurqalya, world of ‘celestial corporeity’, which is that of the subtle bodies of Light.[iii]
“the Soul of the Perceiver”
THE QUANTUM WORLD of nonmaterial symmetries and archetypes also requires new ways of envisioning the world, description and language.
The importance of the imagination and an inner non-physical reality behind our physical external world is understood by quantum physicists; in particular Wolfgang Pauli, F. David Peat and David Bohm.
Pauli argued that the psychologist and the physicist are engaged in a complimentary quest. Hence he advocated that the:
“[I]nvestigation of scientific knowledge directed outwards should be supplemented by an investigation of this knowledge directed inwards. The former process is directed to adjusting our knowledge to external objects; the latter should bring to light the archetypal images used in the creation of our scientific theories. Only by combining both these directions of research may complete understanding be obtained.”[iv]
Psychiatrist Anthony Stevens states: “The relationship between the physical world we perceive and our cognitive formulations concerning that world is predicated upon the fact that the soul of the perceiver and that which is recognised by perception are subject to an order thought to be objective.”[v]
Stevens notes that, for Pauli, “…the archetypes which order our perceptions and ideas are themselves the product of an objective order which transcends both the human mind and the external world.”[vi]
FOLLOWING ON from Pauli, quantum physicist F. David Peat has also called for changes in our language which apply to both ‘inscape’ and ‘landscape’. This postmodern language draws upon metaphor, allusion, ambiguity and values:
“[T]here can be no single explanation, theory or level within nature. We must seek complementary descriptions rather than the single, all-embracing, complete and logically consistent rational accounts which attempt to answer all questions and close all doors. We must seek to engage nature using all the richness that is possible within human language, by drawing upon metaphor, allusion and ambiguity in order to create coherent yet complementary accounts… the science of inscape and landscape requires a degree of creativity within its language, including the ability to deal with metaphor and ambiguity and to accommodate the qualities and values of our experience.”[vii]
By ‘inscape’ Peat is referring to the authentic voice, or inner-dwellingness of things and our experience of them; hence he argues … “By inscape I wish to suggest the inexhaustible nature of each human being, tree, rock, star and atom, and that there is no most fundamental level, no all embracing account or law of a perception or encounter. Rather one attempts to engage in the inner authenticity of the world”.[viii]
This is the ‘I-Thou’ poesis of the artist and Sophianic Wisdom. As in the Sophia Wisdom Archetype, where there is no dualism, Peat questions the fragmentation within our current (modernist) worldview between inner and outer and “the desire for an objective science which has no room for values, qualities and the nature of subjective experience”.[ix]
DAVID BOHM has argued similarly that there is “no fundamental distinction between the processes of the imagination and perception”.[x] Bohm distinguishes between primary imagination, creative imagination and reflexive imagination. Thus, “the reality which you perceive is affected by your thought. Thought is working as a kind of imagination being infused into your perception. It becomes part of what you see. And that imagination is necessary”.[xi] According to Talbot, Bohm uses the idea of implicate order to echo the idea that:
“Every action starts from an intention in the implicate order. The imagination is already the creation of the form; it already has the intention and the germs of all the movements needed to carry it out. And it affects the body and so on, so that as creation takes place in that way from the subtler levels of the implicate order, it goes through them until it manifests in the explicate.”[xii]
In other words, in the implicate order, imagination and reality are ultimately indistinguishable.
[i] Henry Corbin, ‘Towards a Chart of the Imaginal’, Temenos 1 (1981), 30.
[ii] Ibid, 31.
[iii] Ibid, 32-33.
[iv] Wolfgang Pauli, ‘The influence of archetypal ideas on the scientific theories of Kepler’ in: C.G. Jung and W. Pauli, The Interpretation of Nature and the Psyche (London: Routledge & Kegan Paul, 1955), 208.
[v] See Anthony Stevens, Archetype – A Natural History of the Self (London: Routledge & Kegan Paul, 1982), 74.
[vi] Anthony Stevens, ‘Thoughts on the Psychobiology of Religion and the Neurobiology of Archetypal Experience’, Zygon, v.21, no.1 (1986), 19.
[vii] F. David Peat, Synchronicity – The Bridge Between Matter and Mind (New York & London: Bantam Books, 1988), 6-7.
[viii] Ibid, 6.
[x] David Bohm, Thought as a System (London: Routledge, 1994), 151.
[xi] Ibid, 152.
[xii] Michael Talbot, The Holographic Universe (London: Harper Collins Publishers, 1996), 84.